Revisiting River City
It’s been a long time since I watched The Music Man, the 1962 musical starring Robert Preston and Shirley Jones (as well as a very young Ron Howard). Preston plays a con man who arrives in a small town in 1910s Iowa and poses as a boy’s band leader, with the aim of fleecing the citizens out of their money and skipping town.
Within minutes, I was enthralled once again by Preston’s energy, voice, and comedic talent. And when Shirley Jones sang, I was blown away by what a magnificent voice she had. I’m not sure she got the recognition she deserved. At any rate, I easily slipped back into this simpler-time story and was happy to spend a couple of hours with some amazing singers, dancers, and actors.
I first saw The Music Man in the sixties, when I was a kid. My best friend Rebecca and I loved the movie. Her parents had the album, and we used to listen to it all the time. This was back when a record
I enjoy weaving music into my novels. In my latest, The Wedding Thief, Sara Harrington loves the music commonly referred to as the Great American Songbook – music by Jerome Kern, Cole Porter, the Gershwins, Harold Arlen, and Johnny Mercer, among many others. Sara’s late father, a Broadway producer, was a big fan of that music and Sara grew up listening to it. Of course, the real fan is me, but I also love classical, Broadway tunes, jazz, blues…. I could go on, but I’ll stop there. I mention more than twenty songs in The Wedding Thief. If you’d like to see what they are or to have a listen, 







