The Irresistible Blueberry Farm, the movie based on my first novel, The Irresistible Blueberry Bakeshop & Café premiered October 2, 2016 on the Hallmark Movies & Mysteries Channel. The movie stars Alison Sweeney (who is also one of the executive producers), Shirley Jones, Marc Blucas, and Kavan Smith. It will air four more times on the Hallmark M&M Channel. To see more information about the movie, please click here.
The Irresistible Blueberry Farm, a movie based on my first novel, The Irresistible Blueberry Bakeshop & Café, will air Sunday, October 2 on the Hallmark Movies & Mysteries Channel. Alison Sweeney, Carolyn Jones, Mark Blucas, and Kavan Smith star. The movie will also be shown on Tuesday, October 4 at 7:00 p.m.; Thursday, October 6 at 2:00 p.m.; Monday, October 17 at 5:00 p.m.; and Wednesday, October 19 at 8:00 p.m. Click here for a preview: The Irresistible Blueberry Farm Preview
This is the story of the incredible two days I spent this week on the set of The Irresistible Blueberry Farm, the Hallmark Chanel movie based on my first novel, The Irresistible Blueberry Bakeshop & Café. The movie will be aired October 2, 2016 on the Hallmark Movies and Mysteries Channel. On Monday morning, one of the drivers took me from my hotel in Vancouver, Canada to the first filming location of the day. I arrived at this pretty yellow house in the town of Brackendale. In the movie, this is the house in Beacon, Maine, where Ruth, grandmother of the main character, Ellen, grew up.
I went inside and got to meet the incredibly talented Alison Sweeney, who is fantastic as Ellen and who is also one of the executive producers of the movie. Alie and I had talked by phone and had emailed, but this was our first meeting. She had read my novel, loved it, and wanted to turn it into a movie for Hallmark, so this whole project came about because of her. (Thank you, Alie!) Here we are, both wearing the appropriate color! I also began to meet some of the other members of the cast and crew, a group of very talented and dedicated people.
Filming was being done in the attic of the house when I got there, so at the first break in the action I went upstairs to watch. In this photo, Lisa Durupt, who plays the current homeowner, Susan Porter, is holding the “Porter” baby, a gorgeous little girl. Shirley Jones, who I’ve admired my whole life, is in the far right corner. She plays Ruth. (Yes, I know Ruth isn’t alive . . . you’ll just have to see the movie!). And in between are lots of important folks doing very important things to make the movie.
Cast and crew broke for lunch and I got my first look at the “circus,” the area where most of trailers were parked. A few trailers went to the actual shooting locations and the rest stayed behind, although close by, because of the need for abundant parking space.
After lunch Ali and I visited Wayne Russell, who styled her hair.
We then went to the second location of the day, the place that was used as The Victory Inn, the rustic little B&B where Ellen stayed while she was in Maine. Several trailers, all full of equipment, were brought there.
A few different scenes were filmed, including one in which Ellen is surprised by her mother, Cynthia (middle, played by Rebecca Staab), who shows up at the inn, unannounced. Also in the photo is Samantha Ferris (left), who plays Paula Victory, the somewhat rough-edged proprietor who knows everything that’s going on in town.
In this photo Ali is with Marc Blucas, who plays Roy, the man who rescues Ellen from a near-drowning experience when she first arrives in Beacon. Ali and Marc filmed part of the dart game scene. Who do you think won? If you’ve read the book, you already know.
On Monday evening, cast and crew moved to Gibsons, a small coastal town which can only be reached by ferry. I woke up very early Tuesday morning and took the first ferry (7:25 – ouch). The first location was “Roy’s” house, the brown houseboat with white trim, on the left side of the photo. If you look closely you can see people from the crew on the dock to the right of the houseboat.
Here I am with Jorge Montesi, the “A Camera” operator. By the way, that camera is worth half a million dollars … and that’s without a lens. The cameras were wrapped in plastic because it was a drizzly day.
All of the equipment was moved back onto land in order to shoot other scenes. The “B” camera, operated by Sean Cox, was set up on top of the ladder to take additional film of Ali from above. The black tent on the left was set up as “video village,” an area with monitors inside so Randall Platt, the director of photography, and Holly, the script supervisor, could follow what was going on.
Taking a picture of someone taking a picture … Jorge adjusted his camera and I took this photo.
The whole experience of being on the set was magical. I loved every minute. How could I not? I was with a great group of talented people and they all made me feel so welcome. I can’t begin to explain how much I enjoyed seeing what everyone – producers, cast, and crew – brought to the story. When I left on Tuesday evening to catch the last ferry back to the mainland, they were still working and I didn’t want to leave.
We had a relaxing day, swimming in the ocean and in the pool at the hotel. I went up the “staircase from hell” twice – the second time was after dinner. I don’t know how I did it. This photo doesn’t even do it justice.
We went on to Ravelo, where we had a wonderful lunch and toured the gardens of a fabulous villa that was once privately owned.
We’re staying at Ca ‘Sagredo, a beautiful hotel that was once a private villa. It was built in the early 1400’s, before Columbus ever touched American soil. Each morning we climb a lovely staircase to go to breakfast and at the bottom of the stairs are two statutes. This is one of them – just a little decoration. You can see a tiny bit of the Venetian glass chandelier which hangs from the huge room at the top of the stairs.
We saw the work of Lino Tagliapietra, who is almost 82 and was named a master glassblower in 1950, when he was only in his early twenties.